So you may have heard about this, especially if you’re a woman between the ages of, let’s say, 25 and 35, but Sailor Moon has been re-subtitled and is now available on Hulu, with two episodes being released a week. And this will go all the way through the end of the series, which means lots of stuff that never aired, dubbed, in the U.S., and it will be a lot more faithful to the original.1 I adored the show when it originally aired in the U.S., so of course I have been watching it, and the thing is, even
So if there’s one thing I’ve focused on a lot in my six years of occasionally blogging, it’s female characters. Because aside from my own writing, I’m a huge consumer of media, I’m a feminist, and I care a lot about the way women are represented across media. So: female characters. I think about them a lot. And thus, non-shockingly, of the roughly seven billionty blogs that I read regularly, a fair amount discuss female characters. This makes me happy: a lot of other people care, too! And it’s interesting. Reading other people’s thoughts have helped me sharpen and figure
Last week, mlawski at Overthinking It posted a graphic titled The Female Character Flow Chart. I saw it, thought, “Huh, interesting,” and that was that. Then a couple of days later one of my friends posted me towards some criticism of it, leading to discussion and more thinking on my part. I was surprised to see so much commentary on it because it never occurred to me that the chart was aimed at someone like me, who already spends time thinking about the representation of women in the media. I don’t think good intentions (which I assume mlawski had) or
So while waiting for the subway this morning, I noticed a post for Lifetime’s Army Wives. Okiedokie. And when I looked up, right across from it, was a poster for the forthcoming Basketball Wives from VH1. O…kay then. And these after a few years of Bravo’s various Real Housewives of X series, which itself was following on the heels of Desperate Housewives. I am all for shows, be they scripted drama or docu-drama-reality-whatever, about the lives of interesting women! Neato! But really, must they be women defined entirely by their marital status? Whatever.
So I watched Joss Whedon’s Dr. Horrible’s Sing-Along Blog. And I really enjoyed it! Until the finale. First, in full disclosure: I’m not a Whedon fangirl. I was at most pretty much indifferent to Buffy and Angel; I watched them on occasion, but never got the big deal. I could see a lot of effort being put into making Buffy a dynamic female lead, which I appreciate, but I also spent a lot of time going, “…Really?” because there were areas where the show seemed to me to fail. But I’m sure those criticisms have been tackled by others, who
Hey, finally, the promised part two in my Hannah Montana series. (Part one, covering race issues in the show, is here.) This part is about the show’s issues with gender and sexuality. To illustrate my points I’ve picked out two episodes as the worst offenders to discuss. Though they represent the worst I’ve seen on the show, their messages are also pretty indicative of the show overall. The first, “Me and Rico Down by the School Yard,” is the season two premier. It’s the first day of school, and Miley and her friends are starting high school. Miley starts getting
This article (via Chaos Theory) is absolutely excellent. Both in its analysis of the show Beauty and the Geek (which is fascinating and touching, despite being incredibly shallow), and in its analysis of why it’s so uncomfortable to add Nicole and Sam, the female geek and male beauty, to the show. But I think there’s also more to it than that. I’ve discussed the idea of a reverse-gender cast with GC before (as we accidentally watched all of season two together in a New Years marathon last year. In one sitting,) and have always been against the idea. Which at
I have a love/hate relationship with Disney’s Hannah Montana. For those who haven’t run across it (though it’s becoming ever-more ubiquitous as its popularity grows), it’s a TV show/music franchise about a girl named Miley Stewart (played by Miley Cyrus) who has a normal life with her father, Robby Ray (Billy Ray Cyrus) and her brother, Jackson (Jason Earles). But Miley has a secret: she’s actually the most famous pop star in the country, Hannah Montana. She keeps that a secret by way of a blond wig, and keeps the lives separate so that she can still go to high